And The Bulldozer Keeps On Destroying America!

And welcome once again to The Chronicles of Trevor, where the only Red-Green Alliance there is is the labor union led by Santa's massive fleet of elves.


If you've read this blog over the past year or so, you probably know I am not a fan of Boston talk host Jeff Kuhner. His morning show has been an annoyance ever since I started at my day program, because my van driver, who is a nice guy otherwise, listens to Jeff's show, which in my opinion, is basically a far-right-winged moron, every morning, forcibly throwing a 4-hour-long tantrum directed at people and politicians that even just so as lean a sub-pixel to the left of the political scale.

As of this post, the worst things he's said/done in his show this week are:

- he chastized a caller for not making any sense, flat-out calling him stupid and a moron.

-He yet again said that Boston Mayor Michelle Wu is a Marxist and a Communist, and now states she's working with a so-called "'"'"'Red-Green Alliance'"'"'", Red meaning Communism and Green meaning Hamas supporters.

I think we all know the real, racist, and misogynistic reason why he's targeting Mayor Wu all the time. It's because she's the first Asian-American woman to be mayor of Boston. I think she's done fine for Boston. Sure, she isn't as much as a legend as the late Tom Menino, but she's still helped the communities of not just the city, but a lot of the suburbs as well. She's given the city a fresh outlook, and has given it more of a progressive flair.

All the self-proclaimed "Boston's Bulldozer" is doing is trying to clean up the truth by pushing it away from people, because after all, listeners are morons, am I right?

NO! Jeff can't fool me none. I just so happen to watch the local news, which, unless you're watching a Sinclair station, is much more middle-grounded, fair and balanced than some idiot on the radio rambling and making up false information.

If WRKO wants more listeners, they could turn the morning show into a WBZ 1030-produced call-in news show where listeners can call in and give their opinions on local news stories. Now that sounds like it could be better than...
Yup. I just went there. I made that logo and everything.

Anyway, thanks for reading!

Bulldozing the Truth: 680 WRKO's Failure

This is The Chronicles of Trevor, where I don't care what your political views are, you can be my friend no matter what.

Like I have said in the past, 680 WRKO is a radio station that I have a major grudge against, due to their hate-filled far-right propaganda. It makes Sinclair Broadcast Group look like MSNBC in terms of their political values!

I especially have beef with the racist, misogynist blabbermouth that hosts in the morning, Jeff Kuhner. His show, titled "The Kuhner Report", which is probably titled that way to make it seem more reliable, is like a 5-hour long tantrum directed at people who such as lean a smidge to the left, which just so happened to be broadcast on the radio. 

Marconi must be spin-dashing like Sonic in his grave after hearing what Jeff has done to his wonderful invention.

But I've listed some things he's said, but if you wanna stay at this post, I'll list them again.

- He likes to flat-out call any and all democratic politicians radical, stupid, and other demeaning names. He even calls female politicians, like Boston mayor Michelle Wu, WITCHES! If Mayor Wu was a witch, she'd be Glinda, because she does good for the community. Jeff Kuhner is a WARLOCK for calling an Asian-American woman a witch, especially during a time where hate crimes against Asian-Americans are on the rise.

- He seems like the kind of guy who only cares what the extremists who agree with and follow his propaganda say, and shuts down any and all people who believe the ACTUAL truth. Doesn't that sound like a cult leader? Kuhner's Kult, as I call them, makes the 'ditto-heads' of the former Rush Limbaugh Show look like a religious and charitable organization. 

- His parents were born in Croatia, and illegally immigrated to Canada, and I'm sure he didn't even get a citizenship card to live here in the States, as he doesn't even know how this country even works half of the time. Yet he still wants undocumented immigrants out of the country! Isn't that such a hypocritical statement? Only far-right morons who believe "'"'PrEsiDEnT'"'" Trump is the second coming of Jesus would be that idiotic.

- Just before a commercial break, he shouted "LET'S GO BRANDON", which was a term used by extremists like him to insult the president. The term gained popularity after a NASCAR race that aired on NBC had the winner, whose first name was Brandon, up on Victory Lane, and the audience starting chanting "F*** Joe Biden". NBC's commentators tried to cover up the explicit and politically charged chant, by saying that ths crowds were chanting "Let's Go Brandon". This became an inside meme in the extremist group, and they actually use it to insult the former president at any cost.

All of these factors prove that 680 WRKO should be fined by the "fellas at the freakin' FCC" for their false information and hate-spreading. Or at least, bring back the Television Code, and apply a similar "Radio Code" so that 680 could actually have unbiased shows. Or better yet, the FCC could revoke the license, and sell it to a local company, who would turn it into what it was pre-1981, a music station.

The latter would be the better option though, as there is only 2 stations I know of on the AM dial that play music. 1050 WMEX, and 720 WJIB. Adding a 3rd one, at a well-established frequency like 680 kHz would really be a good idea.

Besides, I'm sure fellow 'RKO host Howie Carr could move online, because he's got a network and more time and money than Jeff does.


One-Sided Ads, a Blabbering Moron, and So-Called Witchcraft: My Beef With People who Hate Michelle Wu

Welcome to The Chronicles of Trevor, where racism and misogyny are not tolerated!


Politics Warning: Please respect my opinions.

So I just got very mad today. I was at a party for my girlfriend Ashley's sister Kellie, and just before we started going home, an ad for Boston mayoral candidate Josh Kraft came on. I muttered to myself, "oh god this ad again? He's in it to help businesses". One of the guests overheard me and started going all back and forth about protesting at the current mayor Mayor Wu's house about her so-called "communism", and flatout calling her a witch. SOUND FAMILIAR? I was talking back rather angrily, and needed to calm down. If WHDH 7 didn't air Josh Kraft's ad, this WOULDN'T HAVE HAPPENED!

(Note: I apologized for my actions)

But let me get this straight. I know why all these people are trying to say Josh Kraft will "SaVe BoStOn."

1. The only political ads playing on TV are for the Kraft campaign.
Josh Kraft is just using his family's heaping amount of money (his family has owned the New England Patriots since 1994) in order to overshadow Michelle Wu's campaign almost completely and attack her by any means necessary. That is an indirect form of 'buying votes', which is downright illegal!

2. Completely hiding the true reason why they are attacking Mayor Wu.
My major theory as to why Michelle Wu is being attacked like there's no tomorrow is that she's the first female Asian-American mayor of the city of Boston. Which leads me to...

3. People keep saying that Michelle Wu is a Communist and a Witch.
Like I said, these people are calling an important female Asian-American figure these terrible names. That is downright racist and misogynistic!!!

And that third reason reminds me of how Jeff Kuhner keeps blabbering away about how she's supposedly causing undocumented immigrants to come into our country, when it's TRUMP'S FAULT ALL ALONG! Just saying.

In my opinion, Josh Kraft is only in it for the cash, and to help businesses and not the people. Mayor Wu is a people person, and shouldn't be treated like total garbage just because she's the first female Asian-American mayor of Boston.

But that's my opinion, and I just wanted to vent. All in all, I'm chronicling my life, right?

Anyway, Ashley kept me calm when I was cooling down in the car. She was worried about me, and I am so thankful to have a girlfriend like her. It's no wonder I've been with her for over a year.


The Cracker Barrel Controversy, and How I'd Rebrand.

 This is The Chronicles of Trevor, a blog who will keep its design the same, even though there's no mobile view.

A cartoony drawing reading LOL

Anyway, there's recently been a kerfuffle over a design change at Cracker Barrel, a restaurant chain that doesn't even have any locations around me at all. 

You might be asking yourself, "Why is Trevor covering this change when he's never even been to a Cracker Barrel?"

I'm saying "Well, humble reader, I'm covering this on my blog because I am interested in how people react to logo changes.

The higher-ups at Cracker Barrel decided to change their logo from a design introduced in 1977, to a simplified modern logo.

A 1970's-era drawing of an old-time man leaning against a barrel, in the 2015 logo for Cracker Barrel, next to the 2025 logo, only used for a week in August.


People all around the country, including That Annoying Coward in Office, complained in thousands at the updated logos blandness, and tried to claim the update as "wOkE" due to the fact that the company has sponsored LGBTQ+ events. 

As a person with a trans cousin, I hate when people go off on companies for actually supporting people in that community, all while several big companies only change their logo to rainbow for a month to pretend to care about the community. I'm sure said cousin (her name is Jaylin) would agree with me.

A photo of the editor and owner of this blog, posing in a selfie with two people of Pacific Islander heritage, a long-haired young woman with glasses and a gray shirt named Jaylin, and a young bearded man in a hat and a black shirt named Scott.
She's the one on the left in the photo (to my right).

But enough about my family, even though I love them a lot, let's take it back to the subject

Cracker Barrel decided to bring the 2015 logo back after a week, much to the relief of America's Annoying Orange, and the chain's fans alike.

The old/current Cracker Barrel logo was devised in 1977, made into an SVG vector drawing in 2008, and was slightly updated in 2015. I think they wanted to go for for a simpler logo, as the 1970's-era design was busy, and couldn't be scaled down without looking like a yellow-and-brown smudge. The 'Old Timer', Uncle Herschel, and his barrel, are full of detail that would be washed away at smaller sizes, and don't even get me started on the sign next to Herschel and the barrel. I know It's supposed to look like an 1800's-era sign, but it looks like more a misshapen and oddly-colored bootleg Jelly-Belly logo, or even worse, a mushy, rotten potato. Doesn't make me want to eat there.

I came up with a updated three-tiered logo system concept for a rebranded Cracker Barrel that could've worked in the long run.


Here's my take on a primary logo.


I traced over Uncle Herschel from the 1977 design, and rendered him as a silhouette, and replaced the odd bean-esque shape of the sign with a roundel design containing every element of the logo. I even added a 'Since 1969' caption to help honor the history of the chain. And of course, the golden-yellow and brown color pallete is staying.

This logo would be used in the signs of the chain's locations, at the end of TV commercials, on print materials and ads, and on clothes sold in the Country Store.

I also came up with a small-scale logo, shown below.
This design utilizes the updated barrel from my primary logo and tilts it at an angle. The Old-Timer and "Old Country Store" legend is removed for the purpose of clarity, and the establishment year sign was made bigger and moved in its place.

This logo would be printed on receipts, embroidered on servers' aprons, and printed as tags on items in the Country Stores of each restaurant.

And finally, for fun, I made a design I call the "CB Monogram Device".
This monogram references the way the uppercase C and uppercase B in the chain's name interlocks in the 1977 and 2015 logos. The "CB Monogram Device" will be seen at the start of TV commercials, on some items in the Country Stores, and on coasters and the peg games on the restaurant's tables.

This three-tiered logo system heavily references and keeps the colors of the classic 1977 and 2015 logos, while adding a modern level of flexibility to the Cracker Barrel brand.

I hope you enjoyed my redesigns, and thanks for taking a look at my blog!

Music on AM Radio: The Good, the Bad, and the Tinny (and more)

Welcome to The Chronicles of Trevor, where the only waves you'll expect are the ones in this photo.


Radio. A medium that most people would describe as "dying" or "dated". Most people nowadays like to stream their music on Spotify or play their downloaded music on VLC or other media players, but I still listen to Marconi's wondrous invention.

AM radio in the Boston area is a topic I've covered a handful of times here on TCOT. I've made posts about the lies and hatred spread on 680 WRKO, and my opinions on WMEX 1510, and how they're keeping music alive on AM.

But I'm here to talk about why AM radio sometimes isn't a good format for music in my honest opinion.

The spark that caused me to make this post was WJIB 720 (Cambridge) playing "The Times They Are a-Changin'" by Bob Dylan. During the instrumental breaks, as normal for Bob Dylan songs, he pulls out a harmonica. But instead of his usual single-note playing (which I don't mind), he plays high-pitched, tinny chords, something known to irk me, but of course the song is from the 60s, and I was born in 2002. 

But due to the station's low quality sound and the way AM Radio works, the harmonica was drowning out the lead and bass guitars in the song, especially in the higher-pitched chords, causing me even more discomfort. Someone should change WJIB 720's call letters to WJAB, because it felt like the world's thinnest and sharpest knife being forcefully JABbed into my eardrums DIAGONALLY! That just makes me not want to listen to WJIB all together. Plus, they are a non-commercial station funded by donations. So you could say I'm not gonna donate to them if they keep blasting my eardrums out with crappy harmonica solos. I'd rather use my hard-earned money to donate to WGBH and its stations, especially after the Dumb Orange Dude in Office (DODO) decided to slowly close down the Corporation for Public Broadcasting. I mean, WHY DID HE HAVE THE GUTS TO DO THAT?! 

The DODO also keeps on extending the deadline for the Protecting Americans from Foreign Adversary Controlled Applications (PAFACA) Act, the ruling that states that ByteDance has to sell TikTok's US operations to an American company, or it will get banned. I for one want to see a PAFACA-induced ban of TikTok happen, because of the racist, ableist, sexist, and downright dangerous challenges, its eyesore of a logo, the toxicity of the community, and the way music has been ruined thanks to unoriginal content. 

But back to the subject of Radio. Over on the FM dial, there are music stations worth listening to if you want a non-commercial music station. Emerson College in Boston owns and operates 88.9 WERS, which plays mostly indie rock in the mornings and afternoons, and jazz and other genres later in the day. WGBH owns and operates 99.5 WCRB, a station that plays classical music. It used to be a commercial station owned by Nassau Broadcasting, but WGBH bought the station, and kept the classical format. This station is known for being the first one to obtain an FCC waiver regarding modulation percentage rules. They did this to improve the dynamic range of the sound quality. They also applied for an FCC waiver regarding the station ID requirement, so that live broadcasts of classical music don't have to be interrupted by an announcer identifying the station during a piece.

Long story short, The AM dial is fine for some songs, but not for others.

TikTok Still Grinds My Gears, Even in 2025!


 Welcome to The Chronicles of Trevor, where silence is golden.

If you know me, you probably know that I hate TikTok with a fiery passion. There are many reasons for it. I hate its app icon, as it causes me to get a splitting headache. I hate that it's owned by ByteDance, a Beijing-based company that is known to steal the data of millions of users, and I also hate the unoriginal content that spews out of there, like the overuse of specific clips of audio, or "sounds", like that chipmunk'd "oH No nO No nO No" song, and similar sped-up tracks.

But there is still some major developments in the reasons why I hate TikTok.

A cartoon of 2 silhouetted figures in cowboy hats, blaring on their harmonicas, while a cartoon version of Trevor, the blog's writer, is seen, with drums coming out of his ears. The top skin of the drums are ruptured, causing mushroom clouds to explode.

First, there's a popular sound going around that has a tinny harmonica solo in it. Yup! An instrument played in a way I hate, blaring ever so screechily on an app with an icon that hurts my eyes? Heck no! The solo sounds like a knockoff of the various breaks in Billy Joel's iconic hit, "Piano Man", which adds more salt to the wounds of my ruptured eardrums. So whenever my mom uses TikTok, and that sound plays, and I hear "BWEEEEEEEEEEEEEEEEE, BWEE-BWEEEEEEEEEEEEEEEEEEEEEEE, BWEE-BWEEEEEEEEE BWEE-BWEEEEEEEEE BWEE-BWEEEEEEEEEEEEEEEEEEE", I feel like the world's smallest and sharpest adamantium knife is getting repeatedly shoved into my eardrums.

Also, they brought back the 2018-2020 version of the intrusive watermark (the one that has the "eighth note" logo vibrating rather obnoxiously), but instead of it being in the corners, where you could easily crop it out of view with your favorite video editor, it is on the edges of the screen, like how the 2020-2023 version of the watermark (which has a still note logo) was. Also, the 2018 watermark has the logo in a horizontal position, where the 2020 one is less cluttered due to being in a vertical position.

A parody of the 3 variations of the TikTok watermark. The note is replaced with an actual 8th note, the name is replaced with Terrible App, and the username is CCP Slave 2 6 2 6 2, referencing TikTok's Chinese ownership.
And the fact that The Annoying Cheeto in Office keeps extending the deadline for the PAFACA* act (the act which calls on TikTok's owners to sell its operations to a buyer based in a US-allied country, or it gets banned), all while continuing to Make America Terrible Again, just makes me feel ashamed to be in this country. 

I just wish that the PAFACA act's deadline didn't keep getting extended, because I want to see my least favorite social media get wiped off the face of this country!

America has banned Huawei devices, so why not TikTok?

*PAFACA means "Protecting Americans from Foreign Adversary Controlled Applications".

Saxophone: Another Instrument I Have a Love/Hate Relationship With

Welcome to The Chronicles of Trevor, where the skyline never dies.

Jazz music. You either like it, or you can't stand it. One of the main reasons in my opinion is the skill of a saxophone player.

I like jazz music where the saxophonist plays little high notes, or plays the high notes smoothly without any growls, or audible reed vibration.

But sometimes, sax players like to blow out my eardrums with loud, screechy high notes and I noticeably cringe and tense up.

Here's a list of songs that I hate:

Staff Roll: from Mario Kart 7

I am a big fan of Mario, but I don't like this track. It starts with a non-threatening drum fill, but after that, the sax player opens with...

*BWEEEEEEEEEEEEEEEEEEEEEER BWA BWAAAA*

and ends with a "BWAaAAaAaAAaAaaAAA Bada bada bada" before the outro. The high note in that one is lower, but the reed audibly vibrates, amplifying the ear-destruction factor.

Sticking with Mario Kart, we have,
"Mute City" (from Mario Kart 8)

Mute City is known for being a hard-rocking track in the F-Zero series, but the sax player thought, "Hey, watch me ruin the song!", and opened it with:

*BWEEEEEEEEEEEEEEER BAAAA DA!!*

So whenever I'm playing on Mute City, I pop open the F-Zero X rendition of the theme, arranged by Taro Bando, which is my favorite one. I also like the version from Smash 4, which was arranged by Kenji Ito.

I also do the same for Big Blue as well.

And now the most controversial music I hate is the music from to Saturday Night Live. Yup, you read that right. I hate SNL's music. The fact that the sax player needs to blow the audience's eardrums out with all sorts of high notes, INCLUDING ONES I DIDN'T KNOW WERE EVEN POSSIBLE TO HIT ON AN ALTO SAX, really bothers me. He's just flexing his skill way too hard, and as such, makes it unbearable to my ears. NBC, you better control your sax player, because with all the high notes he plays, he might explode, and the pitches will jam your transmitters! Just saying.

With ear-grating music like THAT, I find it hard to believe the show has been on for 50 years! At least tone down the high notes!

The Devil's Horn: My Love-Hate Relationship with Harmonicas

Welcome to The Chronicles of Trevor, where the angels sing and the demons are silenced.

I am a musician, and I can piece together instruments in a brass section, like what notes each instrument group is playing, and other things. I can even come up with good instrument combinations for genres of music, that makes it easy to listen to.

But there is one instrument that can sound good or painfully bad to my ears, depending on how it's played, and its overall tone quality (timbre). I'm talking about the Harmonica.

I have had a love/hate relationship with this instrument since I was 7, when I first heard the original 1991 recording of Life is a Highway. I was accustomed to the 2006 cover by Rascal Flatts, as I loved the movie Cars, which I still do to this day. I thought that version was gonna play, but lo and behold, I heard Tom Cochrane's death horn screeching...
"BA-BWEEEEEEEEEEEEEEEEEEEEEEEEEEE-WEEERRRR!!!!! WREEEEEEEEEEEEEEEEEEEEER-WRREEEEEEEEEEEEEEEEER!!!"

I was understandably upset. I thought I was listening to a knockoff, but NOPE, THAT VERSION CAME OUT 15 YEARS BEFORE! Thanks Rascal Flatts for improving the original by using a smooth electric guitar instead of a screechy harmonica.

There are some times where a harmonica is a good addition. I like the one in Piano Man. It has the same tone quality, but due to the softer nature due to its piano-heavy instrumentation (obviously, it's called PIANO Man, for Pete's sake), it's a very welcome addition.

Most harmonica solos I like are of the bluesy kind, where the higher frequencies are muffled, making it have an almost clarinet-like tone. Take for instance, the themes of Roseanne and The Connors.

I really despise country-style harmonica, because the higher frequencies drown out the main note you're supposed to hear in the solo, giving it an extremely metallic and sharp sound that to me, sounds like a small, very thin titanium knife poking and prodding at my eardrums. It's a terrible experience. 

Thanks for reading, and I hope you have a good day!


How I Spent My 4th of July Weekend!


Welcome to The Chronicles of Trevor, the sparkler at the end of the internet.

And now it's time for a new segment here on TCoT, called "My Weekend in Review"!

Anyway, My girlfriend Ashley called me Thursday afternoon, and we talked for almost 2 hours! My 4th of July weekend was very good. First, I hung out with my grandmother and grandmother, and had wagyu cheeseburgers. Wagyu is a Japanese style of beef. I also had a cheese-filled hot dog.

Today has gone very well. I had another cookout today, this time at my aunt Vicki's house. I hung out with my cousins Scott and Jaylin.
Scott is the guy to the right, and Jaylin is the girl on the left.

I had 2 burgers and a soda today, and I also enjoyed my time with my 2 cousins.

Also, some more good news, today marks 11 months since I asked Ashley out, Check out this set of photos of me and my love.
I hope you have a great rest of your weekend, and thanks for reading!

A Three-Hour Televised Tantrum: Southern Television's Demise, and its associated effects.

This is The Chronicles of Trevor, the only blog that will spin your stars into space, guaranteed or your money back!


Picture this, you're a television presenter. You just hear that the TV station you work for is shutting down. You'd be understandably upset, right?

That's how many people felt when Southern Television, a station that was part of the UK's ITV network. 

Note: From ITV's founding in 1955 until 2002, it was represented by 14 licensees in 12 regions of the UK (London had 2 franchises, one serving the city on weekdays, and the other on weekends). In 1994, stations were allowed to buy each other out. This resulted in only 4 companies remaining by 2002, Carlton Communications, Granada, Scottish Television, and Ulster Television (UTV, serving Northern Ireland. UTV would later be acquired by ITV plc [formed from a merger between Carlton and Granada] in 2016). Scottish Television is the only remaining independent franchise left in the ITV network.

But back to Southern. After the bad news got out, the final days of the station had a gloomy vibe to them. The presenters and announcers would be standing in front of a tombstone-style graphic, with a circular sign reading "SOUTHERN TELEVISION 1958-1981"
But when New Years' Eve night hit, as ITV's other regions (including ATV, whose license to broadcast in the Midlands region) were airing the network programs scheduled, Southern aired its own program, a "nearly three-hour televised tantrum" called "And It's Goodbye from Us", hosted by Southern announcer Christopher Robbie. 

The show opened with a theme composed by Jonathan Burton, known as the Southern Fantasia, which arranges the station's acoustic guitar jingle into a full orchestral piece, with a big band jazz opening, leading to a somber arrangement of Auld Lang Syne, ending with a slow, bombastic, and rather emotional reprise of the Southern Jingle as a rising fanfare ending with a booming flourish.

Other memorable and bittersweet moments include a clip show of Southern's one-off productions, and operas. 

The most infamous scene included footage from Southern's annual company dinner party, where the station's owner had a major bone to pick with ITV's governing body, the Independent Broadcasting Authority (IBA) over their decision to close Southern Television down, ending wi

My personal favorite segment is when comedic musician and pianist Richard Stilgoe sang what could only be described as the musical equivalent of flipping their successor Television South (hereafter TVS) off. The song was called "Portakabin TV", due to the fact that TVS was using portable office buildings in Southern's parking lot until Southern ceased transmissions.

But the most remembered, and frankly, rather unsettling, part of the special, is the endcap (the closing logo for the station). After a reprise of Southern Fantasia, with a final closing shot of Southern's well-loved presenters, the "SOUTHERN COLOUR PRODUCTION" card appears, and its blue background fades into a star-filled space background. The Star symbol starts spinning slowly and gains momentum as it zooms out into space. As it disappears, the acoustic guitar jingle plays one last time, its final note echoing. The image fades to black slowly. 

Viewers of "The Station That Serves The South" have witnessed their beloved station perish before their very eyes that night. 

There was just the sound of silence after that. No God Save The Queen, no closedown announcements, no "don't forget to switch off your set" reminder, just plain silence until the transmitter was switched off. It was the end of ITV in the South.

















Actually, it wasnt! At 9:30 AM on New Year's Day 1982, TVS went on the air with a bold new colorful look, a classy brassy fanfare, and almost all of Southern's staff were retained!

But later in the 1988, TVS wanted to go bigger! They wanted to be a multinational corporation, and so, they underwent a restructuring as TVS Entertainment Ltd.


This new company acquired MTM Enterprises from Mary Tyler Moore, and as such, the first-ever byline for said logo appeared, reading "A TVS ENTERTAINMENT COMPANY"
TVS's acquisition of MTM caused the company to bleed money, and by the time the 1990 franchise auction hit, they would lose to Meridian Television, who would later be acquired by Granada in the 1990s after a failed merger with Carlton.

MTM was sold off to International Family Entertainment, which was later acquired by 20th Century Fox. The MTM library stayed with Fox after 2001's sale of Fox Family assets to Disney-ABC.

Nowadays, The TVS name and flower logo are owned by an independent company of the same name. 

My latest post!

And The Bulldozer Keeps On Destroying America!

And welcome once again to The Chronicles of Trevor, where the only Red-Green Alliance there is is the labor union led by Santa's massive...